Diana Polenova is a musician who challenges music critics. She doesn't fit into stylistic classifications, as her work transcends genres and styles. A "no-frame" format is something incompatible with the concepts of "career" or "job." She breathes jazz, loves rock, writes music and poetry, and teaches young talents. The last thing this musician wants to see in chronicles is a dry history of her musical formation: education, awards, statuses. Everything's fine — higher education, hands in place, ears working. But that's not what really matters.
At 17, Diana Polenova became the lead singer of the Ural Jazz Orchestra under the direction of Nikolai Baranov, the "godfather" of Ural jazz, and also the first soprano in the vocal group Crystal Chorus, where she had long dreamed of being. Since the early 2000s, her career shifted to Moscow. She started with vocal groups like Cool & Jazzy and then co-founded the a cappella group A'cappella ExpreSSS. This genre — a cappella, world tours, elite art, and high ambitions. First soprano, first major successes, recognition by New York Voices, The Real Group, and awards from Ward Swingle of The Swingle Singers.
For Diana Polenova, music is not just a profession. She finds like-minded people worldwide. Among her projects are collaborations in Andrey Makarevich's jazz projects (Jazz Transformations, Yiddish Jazz), the fusion and rock band M-FACE, and working with Leonid Agutin's group Esperanto during tours in Switzerland, Germany, Russia, and Cuba. Performing with musicians like Chuck Loeb, Al Di Meola, Ken Hensley (Uriah Heep), Vladimir Presnyakov Sr., and Sergey Manukyan were real gifts of fate for her.
Festivals, concerts, albums — Diana's discography includes both solo and collaborative projects. These include recordings with STARBAST, A'cappella ExpreSSS, M-FACE, as well as her own work. A particularly notable project is Children's Songs for Adults: Butterflies, created in collaboration with pianist Evgeny Borets. The album, recorded at Mosfilm Studios in 2015, resonated deeply thanks to the participation of significant figures from contemporary music.
The children's concert project Jam Juniors, initially created for musicians' children, has grown into an educational platform, offering training, career guidance, voice recovery, and support for young artists. The project has no borders or limits, and its graduates continue their artistic journeys.
But the true achievements of a musician are not trophies or diplomas. They are the encounters with people who help you understand how to make music, not just generate clicks.
The STARBAST project holds a special place in Diana Polenova's creative journey. Over 20 years, this musical saga has proven its relevance. Diana takes pride in being the face and voice of the project, staying true to her path and inspiration. STARBAST is a space where everything is possible: realizing creative fantasies and even embodying the avatar of a blue dragon.
Diana Polenova's music is free from genre constraints and stylistic boundaries. As she says: "In music, you can stay true to yourself, breathe freely, and draw inspiration from above, without the need to create a product for its own sake. We simply breathe this way."